Hey party people in the place to be.

MikeFarahnBillyHuh. Does that mean I can’t use that as a title anymore?

Anyways, for those of you who may be reading this on Facebook, this is actually my personal blog on my website (link on my profile) which I’ve synced up with FB so that every time I post a new blog entry it is brought up as a note. It’s a cool feature.
Anyways, hi.

For a while I thought I was actually just basically doing this site to amuse myself, but I recently received a few comments from people I know about it, so I figure maybe I do have an audience after all.

Anyway, I’ve been working on a newer piece of music for a while now. It’s actually been about a year in the making to be honest- and it’s gone through many many different changes as I kept retooling it over the years. My aim is to ultimately make something that anyone can listen to and appreciate that still explores interesting musical realms. I was inspired mostly by Prog Rock but I think Red by Crimson was specifically the song that kinda pushed me over the edge into the realm the song currently resides. It was kinda dopey at first but as I’ve continued to retool it, I think I’ve finally started actually really liking it. It’s an area I like a lot and I think you will too, but I need to finish it first.
One thing I think is funny is that as I kept working on it I became less dependent on using stock drumbeats- I actually started synthesizing my own using Garageband’s toolkit of individual drum sounds. It’s kind of liberating. Once you know what you’re doing, you have a lot more control over how you want your piece of music to sound.
Anyway, I started playing Halo recently and it’s a lot of fun. It’s actually got a very interesting story, and being myself a bit of a Doctor Who and Star Trek fan, it was a fun story to sink your teeth into. The music is absolutely mind-blowing, though. While listening to Martin O’Donnell’s main theme for Halo, try to count the amount of influences you can hear. There’s a LOT, and he blends them seamlessly, which is REALLY cool. I’m going to go out on a limb here and say the music he did for Halo is WAY better than the music Michael Giacchino wrote for the newest Star Trek movie. Also: I typically think rock songs showing up in video games can be annoying a lot of times, especially “guest” pieces, but O’Donnell actually handles the mixing for the songs in Halo 2 very well in my opinion. Whereas the originals themsevles would have been painful to hear in-game, the mixes he produced to use in the game are actually really good, and appropriate.
Do you know he was also the casting director? What a renaissance man.

Anyway. Peace out you guys. Reccomend good movies for me to watch this summer. (Like not new movies, but movies that are good.)

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Ver Calidus

Ver Calidus is a light and fluffy companion piece to “Ver Frigidus.” The six-note motif the song is built around is based on the chirping of a bird outside my bedroom window. (However, I hear this same chirping everywhere during the spring, so it’s probably a certain type of bird that does this, I just don’t know what.)
In writing this piece, I imagined lying in a field of tall lush green grass, staring up into the impossibly overwhelming expanse of blue sky. Above is the sun, and with it, intense, warming sunlight. Green trees wave in the breeze, white balls of pollen float in the air.
“Ver Calidus,” meaning “warm spring” in Latin, in a way represents the later period of spring right before it transitions into summer, where as “Ver Frigidus” (“cold spring”) represents the very early period of spring where it is still wet, foggy, misty and cold, even though the trees are just starting to blossom.

By the way, welcome, to my first update to the website in quite some time. Almost a year, in fact. Although I have a perfectly good explanation:
Recently I had to completely overhaul the site because it got lost in the combined wiping of my hard drive and transition from .Mac to MobileMe. Luckily I was able to retrieve the files from the original site, but I still had to redesign this site from the bottom-up.
That being said, this piece is still something I should have uploaded a long time ago.

The original composition, which was written in the spring of ‘08 for my AP Music Theory class, called for 5 singers and a violinist. There was one section I changed A) because it was too difficult to sing and B) because it sounded more fluid on a piano. This was the piece that was ultimately presented, using a recording of myself overdubbed 5 times and a live violinist. I was not able to record that performance however, so I did not get a violin sound.
Of course, afterwards I had a desire to create an mp3 version. But in order to do that it had to be changed. I realized as I was messing around with this that it wasn’t going to sound as etherial as I wanted it to unless I put an obscene amount of reverb on my own voice, which I did. This makes the rhythms harder to hear, but it sounds prettier. The only other downside is that it accentuates a couple of places where I was slightly off-key, but I have and had neither the time nor the desire to re-record it, so I left it intact.
The other change is that the violin has been replaced with a MIDI flute. First of all, as I’m sure you all know, MIDI violins plain old suck. There is simply no way to recreate that sense of tension and passion that a true violinist creates. So I needed something soft and relatively pleasing. The 6-note motif was initially based on the chirping of a bird, so I decided the closest thing I was going to get was a flute.
I don’t think the final recording sounds all that great, so I may revisit it later on, but honestly, I’ve waited long enough to post it so here it is. Enjoy!

Retroactive edit: You don’t want to hear the original recording. Trust me, it’ll make your ears bleed. Here is a more recent rework of this same tune, under the new name “Verdant Spring.”

Retroactive note: This is a more recent version of the tune, under the new name “Verdant Spring.”

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March Already?

brawl

March… Madness? THIS IS SPARTA!

So, March came, and I went. To get Brawl. XD

And it’s been fun. The only thing that makes me sad is that the stage creator is as limited as it is. I was hoping it would allow people to essentially create a remake of the original “Hyrule Castle” stage, but that’s not possible since the stage builder only supports single layers.
I came up with some nice designs for a “remake” they could make based on Twilight Princess that would be very similar but have still many differences (as “Green Greens” and “Brinstar” essentially were of original stages). Basically, it takes place on the perimeter of Hyrule Castle as opposed to on top of it. In fact, one would battle on top of the main gate, and the castle itself would appear in its full glory in the background. The big difference would be Two towers instead of just one, and no go-inside-able thing on the right side. See if you can tell what I mean based on this screenshot of Twilight Princess I ripped off from the internet:

hyrulecastle

Of course, one might want to scale down the castle in the background just a little bit so that it doesn’t entirely dominate the entire screen.

It could occasionally rain on this stage, which would reference A Link to the Past and Ocarina of Time but more specifically Twilight Princess. What could be done here is, music already in the game could be choosable for this stage, except for one music track which I would add: The Hyrule Castle theme from A Link to the Past. It’s pretty much been in every game since then anyway, so it’s going to be in the minds of anyone who plays Zelda anyhow. Otherwise, I’d have the Main theme (like in the original SSB), the Hyrule field theme (a reference to OoT), and Midna’s Desperation (A reference to TP). Probably something else, too, but I forgot.

I also think not to at least have *one* song from Super Mario Galaxy is an insult, and, I know it came out soon before it, but, seriously, I think Nintendo should be able to access its own stuff, even if it IS in development. Though ideally I think there should be a stage of the Comet Observatory, featuring The comet observatory theme along with the Bowser Battle music, the Good Egg Galaxy music, and then throw in rainbow road (which is already in Brawl).

In other news, I deleted the BCA review podcast, because it was stupid. Maybe some other time.

And I know with Uru Live canceling, I’m going to have to stop using images from Uru on my home page, or at least should, but I just can’t help myself.

Okay, bye.

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Rage against the machine

math-is-pwned

Midterm Schmidterm.

Retroactive Edit: I don’t know what the fuck I’m talking about here. Don’t worry about it.

What. The. Hell.

As if being in our school didn’t wear me down to the bone enough, now I have these GIANT midterm/finals to worry about. That’s right, the common assessment that can’t decide what kind of test it is.

When I applied to this school, they made a point of saying that there would be NO midterms. That added to our school’s charm.
Yet, as a complication of the NCLB act, now we all *have* to take them. It’s not a standardized test, either. It’s dependent on the particular curriculum, so now I actually have to worry.
But the fact is, this is ridiculous. Our school has a right to waive its responsibility in this case. Our school is a magnet school which only takes top-qualified students and top-qualified teachers. Simply by being involved with this school, one is already WAY above the target demographic for this state mandate.

It’s not fair. The school established this no-midterm routine early on, and now its abandoning and lying to their own students. They could have avoided this, and they just didn’t bother.

I officially call bullshit on our school.

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Updates: New music (“The Nightmare”), “Ver” to be revisited

Today I added a project I’ve been meaning to work on for years. A half-minute piece, which is a warped version of Bach’s “Sicut Locutus Est” that I heard in a nightmare once.

Retroactive edit: The music page was originally a separate feed – I’ve merged in the original companion post for “The Nightmare” below.

First off- I don’t consider this a musical composition at all, more of a musical experiment, but not quite an arrangement.

I had the strangest nightmare in my Freshman year.
At the time, one of my biggest concerns was making it into All-County Choir, and so, obviously it was on my mind.

But it wasn’t the happy Bach Chorale in my dream.
I was wandering through a strange school that I did not know. This school was, believe it or not, split in half by a river. However this portion of the school was sealed in glass as well.

But I was wandering through this strange school, and I heard this…horrific warping of Bach’s Sicut Locutus around me. The teachers in this school were all monsters, and were all lunging at me.

Try to imagine this just for a moment, as you listen to my nightmare.

In addition, I really hope, with my new mic, to revisit “Ver Frigidus,” for a variety of reasons.

First of all, it just doesn’t catch the tone I was aiming for with the piece. It just doesn’t sound right! It’s too rhythmic and not flowing like I wrote it. Plus, I have a new mic now, so that should help, and also, I found my original score for the piece! 😀 Finally. I had forgotten that I had originally called the piece “Sixteenth’s End,” to signify my fear of turning 17 at the time. I don’t know. Point is, I really would like to revisit that one sometime soon.

Anyone see the Brawl leaks? They are TEH WIN!

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Hark, Adams fans!

Liff, the Universe, and Everything?

I totally should have done this before, over the summer, but I forgot. I’ll do it now anyway.

While vacationing in Block Island, I stumbled across a most remarkable book.

The book was by none other than Douglas Adams, a writer for Monty Python’s Flying Circus and author of the much-loved Hitchhiker’s Guide to the Galaxy series.

…Okay, so it was co-written by his good buddy John Lloyd, but, the humor in it is all that you would expect from the author of H2G2.

The book is The Deeper Meaning of Liff: A dictionary of things there aren’t any words for yet- But there ought to be, and yes, that is the full title. The title immediately strikes for its british humor, more recently seen in Sasha Baron Cohen’s recent film Borat: Cultural Learnings of America for make benefit Glorious Nation of Kazakhstan, and soon in his upcoming Brüno: Delicious Journeys Through America for the Purpose of Making Heterosexual Males Visibly Uncomfortable in the Presence of a Gay Foreigner in a Mesh T-Shirt, which by the way has got to be the longest dang title ever. But enough on that.

Liff2The book is, as the title suggests, a dictionary of things there aren’t any words for yet, even though there ought to be. Each word is pulled directly from actual town and city names across the world (though most of them are in England). The ideal way to read this book, in my opinion, is to open up to a random page and begin reading, unlike Maddox’s The Dictionary of Manliness, which does have a certain chapter-by-chapter consistency to it.

If you’re mind-numbingly bored and are looking for something to amuse you, definitely pick up this book.

Unless you haven’t read the Hitchhiker’s Guide books, in which case, you better get on that pretty quickly.

Happy Thanksgiving.

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Becoming a demon

Hello!!!!!!1111oneoneoneeleven I’m a student from AAST!! I mean…Of course, where else would I be? I AM incredibly intelligent. It’s where I belong.

I’ve always really wondered what it’s like NOT being as incredibly intelligent as I am.

I’ve always wanted to ask one of the students from AVPA what it’s like actually knowing that they have a brain that is biologically not as evolved and developed as that of those of us who are students of AAST.

I enjoy mathematics, physics, calculus, chemistry, Linux operating systems and any and all video games. And Anime.
When I’m not programming with javascript or debating chronology of “Kedasu no Hirokisaki” with my English-speaking friend from Japan whom I met on an internet forum, I listen to popular music. And by popular music I of COURSE mean the collected concertos of J. S. Bach.

Oh, in fact, that reminds me! I was in choir the other day, and someone told me the nicest thing! They told me to go conduct an orchestra because I was so good at doing it while our choirmaster rehearsed us! Well, it sure is nice being complemented by so many people, even if they ARE intellectually inferior to me!

I really find stupid people SO interesting.


For Halloween this year I tried something a little different. I became THIS bigoted asshole. I definitely DID have the scariest costume. My goal was not to dress up, but to show people in this school how bigoted they can be. The problem with having a school filled with nerds is that a lot of people have their egos incredibly inflated.
So this arrogant, socially inept boy is my answer to those people who believe they know everything. Guess what, asshole? This is you. You are an arrogant, conceited and annoying asshole. Nobody likes you. You’re just too self-centered and arrogant to even notice.

The scary thing is people actually didn’t recognize me. They believed I WAS this guy. Which is just as fine, because that means I can annoy the hell out of you and get away with it. But it was more than just that. The way people treated my character really was kind of saddening. It really pulls out the darker side of other people.

…Well that’s the story of this guy.

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Ordo Ab Chao

While learning my All-State music, I began toying around with GarageBand, and began a process which would end a day later. By doing a combination of using a few bars of music I wrote and just simply messing around with GarageBand, I ended up with a piece that knocked my socks off, and I hope yours too.
It’s called “Ordo Ab Chao,” or “Out of Chaos comes Order”, for reasons you may discover while listening to this…

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Ver Frigidus

Using Garageband I managed to make a version of a song I composed back in Spring ’07. The song was originally going to have lyrics, in Latin, as you may be able to tell by the scarce quality to this. The words were basically going to say “Why must we all be so sad, when surrounding us is so much joy and light!” Eventually I just gave up on giving the song lyrics, but have never been able to record it until now. Unfortunately, I only had myself to use as a basis, and so it sounds a little…wrong, especially the bass. It was also supposed to be a lot faster in some of the sections of it, but due to my facilities, it would have been hard for me if I randomly changed the tempo in the middle of the song. The last part, which is an almost jazz-inspired segment, was originally to be very lyrical, which is why it sounds so silly right now. It was to represent an answer to the question posed: because life is filled with constant hardship and strife.
Having lost its lyrical sense, I named it “Ver Frigidus,” or Cold Spring in Latin, due to the deep connection I feel this piece has with spring, particularly very early spring when flowers are just beginning to pop out. Enjoy what I wish I could call my “Opus II.”

This needs some MAJOR editing at some point.


Retroactive Edit: Rework for Piano from 2009:

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Theme from Oedipus Rex

I originally wrote this piece during Freshman year of high school for a project on Oedipus Rex. It was a rather grandiose MIDI composition that I basically threw together, inspired by the tragedy contained in Sophocles’ Oedipus Rex. Ultimately, it did not make it into the final performance, but about a year later I reworked it, arranging it for a string quartet and nearly doubling the speed. What you see here is the closest I can get to an actual audible song without recording an actual string ensemble.


Edit: Here are some bonus alternate versions:

Original full suite from 2005:

Extended “remaster” of full suite (SoundCloud):

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